Category: Art

Can Art Actually Save the World?

Two dancers from Brooklyn based Urban Dance Women came to speak at UGA, today. In addition to a performance centered mission, this dance troupe has community and human rights focused core values, and define themselves by their work to make the world a better place. This, of course, brings about the question, what can dance, and more specifically, your home-based dance troupe actually do to help your community?

We all know how art helps the community. Art has been proven to decrease violence and crime in communities; it can help you to better absorb information; Art can decrease rates of depression; and can help high risk children graduate from high school. But can art feed the hungry? Can art house the homeless? Can art fight for equal rights? Yes? No? Maybe.

Charity Watch’s index of top rated charities fall into the following categories.Let’s discuss how dance can make an impact.

CONSUMER PROTECTION AND LEGAL AID-This is a difficult topic for a troupe to advocate for when a pressing issue is not directly affecting their community. I hope that in our very anti-establishment troupe, we communicate a very healthy fear of big business and the government. I know I make fun of my fair share of politicians.


ABORTION & REPRODUCTIVE HEALTH POLICY-My dance troupe has been involved in the fight for reproductive justice in the past, but is has mainly been in partnership with an organization focused on the fight for reproductive justice (GRJAN). While directly facilitating abortions or lobbying congress for policy change would not be fitting with our mission, I still believe there’s more we can do. Abortions are highly stigmatized, though 30% of women have or will have one in their lifetime. As dance is a means for storytelling, our job is to tell these stories.
AFRICAN-AMERICAN-History shows that the most effective means of fighting discrimination begins with protests, followed by laws. We stand in solidarity with all of our brothers and sisters fighting for equality, but how does that translate into action? Inclusivity starts in your home troupe. It should look like 50 Shades of Brown Skin when you look at your dance family. Can’t find dancers? Bring your art form to the audience you wish to encourage to join.
AIDS-Once again, my troupe has held benefit shows and raised awareness for this cause. We are publicly sex positive and give out condoms at shows, indirectly encouraging healthy sexual encounters. This is a topic we need to make an effort to be more outspoken on.
ANIMAL & ANIMAL PROTECTION-Despite almost everyone in our troupe owning a pet, we have done nothing to help this cause. A dance troupe could raise funds, raise awareness, volunteer. I’ve long wanted my troupe to get involved in Pets and Wonder, for instance.
BLIND & VISUALLY-IMPAIRED-UBW talked about instructing blind children in dance by describing what each part of their body needed to be doing. This is a wonderful jumping off point.
CANCER-Cancer survivors are actually my troupe’s major project moving forward. Using Pink Light Burlesque as a model, we hope to begin to offer classes to breast cancer survivors, as well as survivors of sexual abuse. In addition to the therapeutic elements of dance, we hope to make a impact in our community by helping others rediscover and own their sexuality.
CHILD PROTECTION-Unfortunately, due to the nature of our performance, we cannot be involved with children, however, working with children may be the most important work that other troupes can do. In addition to ensuring future generations of performers and artists, physical activity and art help students in just about every way possible. No work that a troupe does is more important than working with the next generation.
CONSUMER PROTECTION AND LEGAL AID-This is a difficult topic for a troupe to tackle when a topical incident is not directly affecting their community. I hope in our very anti-establishment troupe, we inspire a healthy fear of the government and big business. I think more of our numbers could tackle some global issues and bring awareness to current events.
CRIME & FIRE PREVENTION-I definitely have my eye on a lot of fire hazards at shows, but how does one prevent crime through dance, aside from working with at risk children? Is that the only way?
DISABLED-We need to be holding workshops and introducing our art to all people.
DRUG & ALCOHOL ABUSE-I’m sure that dance troupes that have not had in-house issues with drugs and alcohol are few and far between. We need to take that expertise out into our communities. Art can be a very helpful means of healing.
ENVIRONMENT-In 2004, Canopy Studio did an evocative show about the tragedies of environmental destruction. Who knows if it resulted in any lifestyle changes, but it’s a great first step.
GUN CONTROL (PRO/CON)-Right now, action on this issue needs to be taking place in our government. While our venue is gun free, as a feminist troupe we have to do more.
HEALTH – GENERAL-Between our medium (dance) and our sexual health positivisity, I feel as though we’re doing a great job of encouraging healthy habits for our audience. However, many of our food involving activities do involve sweets. Perhaps we can work to change that in the future.
HOMELESSNESS & HOUSING-What began this blog post what a thought I had that dance can’t shelter the homeless. Unfortunately, I still don’t have a great idea of what dance can do to help our homeless neighbors. The first step for all of these causes is to partner with a local nonprofit working on the cause and raise money and awareness for them. Perhaps on this issue, this is the best that we can do.
HUMAN RIGHTS-I can proudly say that my troupe is actively fighting for human rights, through our performances, our social media, and our day-to-day actions. I know that any member of my troupe will stand up against injustices in real life, and our numbers will address issues of discrimination. I am fortunate that this has happened naturally thus far and am confident that it will continue to be this way. As far as cultivating this attitude in other troupes, the main reason I believe my troupe is so passionate is because it is a frequent topic of conversation whenever we are all together.
HUMAN SERVICES-Human services seems to fall into the category of dance can’t build houses. Like the homeless issues, align yourself with an organization that can help the injured and provide services in natural disasters, and give them time, money, and volunteers.
HUNGER-Dance can’t feed the hungry, either, but a troupe can hold a food drive. Syrens of the South does an excellent job of serving their local community. Many of their shows offer a ticket discount if an audience member brings a donation for the charity that the shows sponsors. I specifically remember them holding a food drive in their past.
INTERNATIONAL RELIEF & DEVELOPMENT-Frequently, troupes are lucky to be reaching out beyond their community, let alone at a world-wide scale. Yet again, my suggestion is to find an organization working on this cause and offer exposure, funds, and volunteers.
LITERACY-The fight for literacy in America is being fought with our youth–on a elementary, middle, and high school level. Unfortunately, that means that my troupe an only support the mission from afar. We’ve done benefits for our local library and shows celebrating books, but that’s as far as we can go.
SENIOR CITIZENS-Senior citizens need to be at the top of our list of populations to target, along with cancer and sexual violence survivors. Other troupes have done a better job at involving their legends to perform with them, and we need to get on board.
TERMINALLY OR CHRONICALLY ILL-While some people may be too ill to dance, those that are physically able to be involved in our art deserve the opportunity. It is our responsibility to bring such opportunities to them.
VETERANS & MILITARY-Dancing ladies and the military have a long history together. I would love to have my troupe’s thoughts on how to recreate this relationship in our own community.

The Original: Females

Does the book contain one or more female characters? Yes

Do these characters have names? Yes: Sarah, Ernestina, Aunt Tranter, Mrs. Poultney, Mrs. Talbot, Mrs. Fairley, Milly, Mary

Do these characters talk to one another? Yes

Do they discuss something other than men? Yes. Mrs. Fairley and Mrs. Poulteney talk about Sarah. The one time that conversation is witnessed by the reader, however, they discuss Sarah walking through what serves in the story as the red light district. Therefore, while the conversation is not about men, it does indirectly pertain to men.

Other-The fascinating thing about a Victorian novel being written in the late sixties is the perspective and self-awareness The French Lieutenant’s Woman has. While the 60’s were not as advanced when it comes to feminism as we are, today, the author is surprisingly advanced for his time: “What are we faced with in the nineteenth century? An age where woman was sacred; and where you could buy a thirteen-year-old girl for a few pounds–a few shillings, if you wanted her for only an hour or two. Where more churches were built than in the whole previous history of the county; and where one in sixty houses in London was a brothel…Where the sanctity or marriage (and chastity before marriage) was proclaimed from every pulpit, in every newspaper editorial and public utterance; and where never–or hardly ever–have so many great public figures, from the future king down, led scandalous private lives…Where the female body had never been so hidden from view; and where every sculptor was judged by his ability to carve naked women…Where it was universally maintained that women do not have orgasms; and yet every prostitute was taught to simulate them. Where there was enormous progress and liberation in every other field of human activity; and nothing but tyranny in the most personal and fundamental” (p266-267).


Does the book contain one or more characters of a minority race? No

Other: “My dear Charles, if you play the Muslim in a world of Puritans, you can expect no other treatment,” the doctor tells the main character. While there are no minority characters in Victorian England, this statement does imply that there is awareness of other races, at least in the more educated population of the country.


Does the book contain one or more gay characters? It is unclear, though the book does make mention of the question, during a scene in which the main heroine is seen in bed with another woman: “But some vices were then so unnatural that they did not exist. I doubt if Mrs. Poulteney had ever heard of the word “lesbian”; and if she had, it would have commenced with a capital , and referred to an island in Greece . . . But what of Sarah’s motives? As regards lesbianism, she was as ignorant as her mistress” (p. 157-158). Is Sarah a lesbian? Maybe.


Does the book contain one or more lower-class characters? Yes. There is a significant amount of time spent on the romantic subplot between two lower class characters.

Do these characters have names? Millie, Mary, Sam…

Do these characters talk to one another? Yes, frequently.

Do they discuss something other than the upper class? Sam and Mary discuss their love, marriage, as well as make some small talk. The conversation that the reader is privy to does tend to revolve around the larger plot, Charles and Sarah, so the instances of Mary and Sam talking, unrelated to their employers are few, but existent, none the less.

Other– The narrator, in his more “enlightened” viewpoint, seems to have interesting opinions about the Victorian class structure. Mr. Freeman, one of the only financially successful characters in the novel offers Charles, his future son-in-law at the time, his business. This immediately pits Charles in a quandary. Though he has no money, it’s so plebeian to work for money. Gentlemen simply don’t do that. The most respectable character in the novel, Dr. Grogan, is both learned, middle class, and self-employed in the business of helping others.

Also important to mention is the distinction and time the author spends on Sam’s position: “Of course, to us any Cockney servant called Sam evokes immediately the immortal Weller; and it was certainly from that background that this Sam had emerged…But the difference between Sam Weller and Sam Farrow (that is, between 1836 and 1867) was this: the first was happy with his role, the second suffered it. Weller would have answered the bag of soot, and with a verbal vengeance. Sam had stiffened, ‘rose his hibrows’ and turned his back.” This paves the way for much more characterization and time spent on/with Sam, but it only ends up being foreshadowing.

I’ve been thinking a lot about my profile picture lately.

It’s zombie Marie Curie saying,

You don't become great by trying to be great. You become great by wanting to do something, and then doing it so hard that you become great in the process.

It probably seems stupid that I’m still reeling from the whole Effie’s Club Follies fiasco. Why would someone as talented and motivated as myself waste time even thinking about such people or organizations?

Because I refuse to use all of my time wisely?  Because I can’t help myself. Because that event uncovered some deep seeded, repressed fears–fears of becoming motivated by negative emotions, becoming bitter and resentful of those trying to help me; fears of failure.

In actuality, nobody would care if I failed at this. If the boylesque troupe Tim and I are attempting to start never got off of the ground and Burlesque Beta fizzled out over time, nobody’s life would be ruined. I have very understanding friends.

The pressure to succeed is self-inflicted. I think that’s the best kind of pressure. Society, I can hide from, but I can’t hide from myself.

If you know you can’t look at yourself in the mirror if you fail, it takes the option of failure away.

-found it on DeviantArt-

Para Avanzar by ~jaimecl

Brock Davis decided to make something cool every day for a year and post it in this album. Look through the whole thing, and make sure to read the titles. It’s fascinating, and totally worth the 15-20mins.

Pho†ographer Unknown

Via All Things Amazing

Not to self: Dance underwater more often.

Gaga Dreams


Sometimes PostSecret’s are very in tune with my life.

Captain Sparrow Art

Captain Jack Sparrow by Jprart